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The Cine-Files, Issue 14 (spring 2019)
Lucy Bollington, “Martel’s Aquatic Zoopoetics”
Adam Hebert, “Concrete Jungles: Street Skateboard Cinema, Animal Worlds, and Contingent Ecologies”
Lukas Brasiskis, “Mermaid with a Movie Camera: Performing the Cold War Past Eco-critically”
Eamonn Connor, “Diffractive Visions: Toward an Oceanic Trans-Corporeality in
Leviathan
”
David Scott Diffrient, “Animals in Korean Cinema: From Absent Referent to Present-Day Predicament”
Sean Donovan, “Animalistic Laughter: Camping Anthropomorphism in
Roar
”
Rosalind Galt, “Learning from a Llama, and Other Fishy Tales: Anticolonial Aesthetics in Lucrecia Martel’s
Zama
”
Ece Üçoluk Krane, “Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in the
Texas Chainsaw Massacre
Movies”
Mikki Kressbach, “A World of Wonder: The Operational Aesthetic and
Planet Earth II
”
Milan Kroulík, “Imagining Beyond the Human:
Marketa Lazarová
as Becoming-Animal”
Graig Alan Uhlin, “On Street Cats and City Rats: Synanthropes and Cinematic Ecologies”