Savannah College of Art and Design
Dossier on Film Sound
Introduction by Jacob Smith, “Listening to Film Sound”
Jay Beck, “Submerged in Sound: Lucrecia Martel’s La Ciénega“
Michel Chion, “The Player (Robert Altman, 1992)”
Caryl Flinn, “The Sound of Music: The Music Festival Scene”
Mack Hagood, “The Tinnitus Trope: Acoustic Trauma in Narrative Film”
Keir Keightley, “The Pantophonographic Patsy”
Kate Lacey, “Listening In/To Germany, Pale Mother“
Jean Ma, “Listening to Early Chinese Sound Film: Two Stars in the Milky Way“
Mara Mills, “Listening to Images: Audio Description, the Translation Overlay, and Image Retrieval”
Robert Spadoni, “New Worlds and Dark Traditions: Back Winding and Forward Propulsion in The Woman Who Came Back“
Neil Verma, “The Huge Listening Contraption”
Shane Vogel, “Projection without Representation: Screening Maya Angelou in Calypso Heat Wave“