Dossier on Film Sound

Introduction by Jacob Smith,  “Listening to Film Sound”


Jay Beck, “Submerged in Sound:  Lucrecia Martel’s La Ciénega


Michel Chion, “The Player (Robert Altman, 1992)”


Caryl Flinn, “The Sound of Music:  The Music Festival Scene”


Mack Hagood, “The Tinnitus Trope:  Acoustic Trauma in Narrative Film”


Keir Keightley, “The Pantophonographic Patsy”


Kate Lacey, “Listening In/To Germany, Pale Mother


Jean Ma, “Listening to Early Chinese Sound Film:  Two Stars in the Milky Way


Mara Mills, “Listening to Images:  Audio Description, the Translation Overlay, and Image Retrieval”


Robert Spadoni, “New Worlds and Dark Traditions:  Back Winding and Forward Propulsion in The Woman Who Came Back


Neil Verma, “The Huge Listening Contraption”


Shane Vogel, “Projection without Representation:  Screening Maya Angelou in Calypso Heat Wave


William Whittington, “A Conspiracy of Sound:  Modes of Listening in Brian De Palma’s Blow Out