Featured Scholarship

Cahiers du Cinéma and Evaluative Criticism by Chad R. Newsom
“The Most Beautiful Fraud in the World:” A Production Designer Reflects on the War between the French New Wave and Scenic Design by Yolande Thame
The Politics of Pre-Political Godard: Alphaville, Made in USA by Ryan Babula
The Sound of Marx and Coca-Cola: The Aural Aesthetics of Jean-Luc Godard’s Masculin Féminin by Elliott Thompson