Savannah College of Art and Design
Dossier on cinematic affect
Editor’s Introduction: Keeping the Concept of Cinematic Affect “In Play,” by Anne Rutherford
The Feel of the House of Usher, by Anna Powell
Affect vs. Emotion, by Steven Shaviro
In the Mood for Love and the “Secret” of Cinematic Affect, by Paul Gormley
Keeping Your Demons on a Leash: Disgust and The Walking Dead, by Angela Ndalianis
On No Longer Being Loved: 11 Formal Problems Related to Method, by Eugenie Brinkema
Cinema and the Politics of Force: the Psychopath and the Child, by Elena del Río
A Political Ontology of the Affective Image in India, by Amit Rai
Workshopping for Ideas: Jacques Rivette’s Out 1: Noli Me Tangere, by Laura U. Marks
Sentience and Sentimentality in Remembering Yayayi, by Jennifer Loureide Biddle
“I Just Want to be Perfect”: Affective Compulsive Movement in Black Swan, by Patricia Pisters
Objects Arrested in Time and Space: Abstraction and Affect, by Robin Curtis
“Click”: Affect and Mediated Gestures in Carol, by Jennifer Barker
Letting Go and Finding Voice: Air, by Jenny Chamarette
Siren’s Song–——Musical Prophecy in Tarantino’s Kill Bill, by Gertrud Koch
Affect and Material Contagion in Harakiri, by Anne Rutherford