Savannah College of Art and Design
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Issue 2 (Spring 2012)
Featured Scholarship
Cahiers du Cinéma and Evaluative Criticism
The Politics of Pre-Political Godard: Alphaville, Made in USA
The Sound of Marx and Coca-Cola: The Aural Aesthetics of Jean-Luc Godard’s Masculin Féminin
“The Most Beautiful Fraud in the World:” A Production Designer Reflects on the War between the French New Wave and Scenic Design
From the Editors
Cinephiles in The Cine-Files
The Wave Surfs Me
Update: A Rejoinder to the French New Wave issue
Profiling the French New Wave
Henri Langlois: The Auteur of the Cinémathèque Francaise
Meeting Agnès Varda: a First-Person Fan Narrative
Student Filmmakers on the French New Wave
Good Time Gals
Queering the French New Wave, Embracing the Cardinal Virtues
The Experts
Dudley Andrew
Geoffrey Nowell-Smith
Jonathan Rosenbaum
Louis Menand
Morris Dickstein
Peter Hitchcock
Richard Neupert
Speaking of Jacques Rivette
Sylvie Blum-Reid
Timothy Corrigan
Issue 1
Issue 3
2012 Savannah Film Festival Honorees
A Place at the Table
Chris Marker and the Essay Film: a Presentation by Timothy Corrigan
Fat Kid Rules the World
Featured Scholarship
The Actor’s Vision: Three Performances by Jessica Chastain
Wiping the Dust from Our Eyes: (Re)cycling Iconic Images from American History’s Most Devastating Economic Depression
West of Eden: Eastwood’s Silent Generation Warning to California in Play Misty for Me (1971)
Gregory Crewdson: Brief Encounters
Interview with Diane Lane
Interview with John Gatins
Nobody Walks
On Stan Lee
On the Road
Quartet
Rust and Bone
Sex and the City: a Festival Introduction
Silver Linings Playbook
Violet & Daisy
Wonder Women: From the Page to the Screen, and Finally, Beyond
“A Critical Eye on Film: the Cinema Studies Perspective”
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